Roots Rock Reggae ’79 at the National Arena – A Historic Two-Night Celebration of Jamaican Sound and Soul
September 22–23, 1979 | Kingston, Jamaica

In the heart of Kingston, Jamaica, on September 22 and 23, 1979, the National Arena was transformed into a cultural and musical epicenter as thousands gathered to experience Roots Rock Reggae ’79—a two-night live concert event that would go down in the annals of Jamaican music history. The event brought together a powerful lineup of reggae’s most electrifying performers, including the legendary Bob Marley & The Wailers, the internationally acclaimed Third World, and a rising star, Junior Tucker.
Organized at a time when reggae music had become a global force of resistance, liberation, and pride, Roots Rock Reggae ’79 was more than just a concert—it was a celebration of Jamaican identity, Rastafari culture, and Pan-African consciousness.
Bob Marley & The Wailers: The Fire Still Burning
Bob Marley, already an icon by 1979, took the stage with The Wailers and lit up the Arena with a performance that mixed spiritual energy, militant resistance, and poetic soul. It was one of Marley’s last major concerts in Jamaica before his health declined in the following year. Backed by the tight groove of the Wailers and the celestial harmonies of the I Threes—Rita Marley, Judy Mowatt, and Marcia Griffiths—the set included classics such as:
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“Get Up, Stand Up” – a revolutionary call for justice, sung with urgency and fire.
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“No Woman, No Cry” – a moving singalong that had the Arena swaying in collective memory and hope.
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“Exodus” – delivered with thunderous rhythm, affirming the Rasta message of repatriation and spiritual journey.
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“One Love” – closing the set with a unifying message, Marley was the voice of a nation calling for peace and redemption.
Marley’s performance was more than entertainment—it was a sermon, a prophecy, and a celebration all in one.
Third World: The Reggae Fusion Ambassadors
Also taking the stage was Third World, a band that had already broken global ground with their fusion of reggae, soul, funk, and rock. Known for their musical versatility and socially conscious lyrics, Third World’s presence at Roots Rock Reggae ’79 demonstrated the evolution of Jamaican music beyond roots and dub.
Their performance included crowd favorites like:
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“96° in the Shade” – the haunting tale of Paul Bogle’s martyrdom, performed with a mix of history and harmony.
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“Now That We Found Love” – a hit that connected reggae to the global pop audience, showing the band’s crossover appeal.
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“Try Jah Love” – though released later, their early sets echoed this message of divine faith and universal love.
Third World’s musical sophistication, electric stage presence, and commitment to pan-African ideals made them one of the standouts of the two-night festival.
Junior Tucker: The Youthful Voice of Reggae’s Future
Adding a youthful energy to the event was Junior Tucker, the child star who had begun transitioning into a more mature reggae sound. Known for his breakout hit “Happy” as a child, Tucker used the Roots Rock Reggae stage to show he was growing into a conscious voice for the new generation.
Though not yet the gospel artist he would later become, in 1979 Tucker’s voice was pure and full of promise. His presence at such a high-caliber event showed that the future of reggae was bright, with younger voices ready to carry the message forward.
The Cultural Vibe: Roots, Rock, and Resistance
The National Arena was not just a venue for entertainment—it was a cultural ground zero. Thousands of fans, many donning red, gold, and green, gathered not only to enjoy music but to participate in a larger cultural movement. The aroma of ital food, the banners of Rastafari, and the power of community were felt in every corner.
The event came at a time when Jamaica was going through political and economic challenges. Reggae music served as both a balm and a battleground. Roots Rock Reggae ’79 reminded the nation and the world that reggae was the voice of the people—crying out against injustice, praising Jah, and affirming Black pride.
Legacy of Roots Rock Reggae ’79
Roots Rock Reggae ’79 was more than a concert—it was a statement. It showcased the global force of reggae music and its role in shaping identity, politics, and spiritual consciousness. It was a rare moment where the king of reggae, the soul fusion of Third World, and the promise of a rising star like Junior Tucker shared the same stage in Jamaica’s capital city.
Today, the memory of those two nights lives on as a testament to the golden era of Jamaican music. For those who were there, it was unforgettable. For those who weren’t, it remains the stuff of reggae legend.
Written for the ReggaeMuseum.com
Curating the culture, legacy, and history of reggae worldwide
Along with Bob Marley, other reggae superstars like Third World, Burning Spear, Ras Michael and Sons of Negus, Hortense Ellis, Jah Youth, Kiddus I, and Gregory Isaacs gather for a two-day music extravaganza at Kingston’s National Arena on September 22nd and 23rd 1979. ‘ROOTS ROCK REGGAE ’79’ is organized by the Ethiopian Orthodox Church with all proceeds going to its building fund and for improvements to their basic school. An 11-year old Ziggy Marley and the Melody Makers also make an appearance onstage.
Audio engineers from Tuff Gong and acoustic specialists from Audiophon design a special stage area and isolate each of the players’ instruments in order to maximize sound recording quality at the Arena, which is famous for its awful acoustics.

Earlier in April 1979, Bob Marley and the Wailers embarked on a world tour that takes them to Japan, New Zealand, Australia, and Hawaii. Here are some great photos from New Zealand.
(These photos © Murray Cammick)





And here are several more…



Here is a review of the Auckland, NZ show:

















